Elisabeth Lindstedt
The South-Eastern village has become one of my most popular subjects.
Öland is within me since early childhood moods, sounds, sights and smells.
The village in southern Öland has become one of my most important motifs. Central to my works is often the village, an investigation of structures, angles, lines, volumes and shapes. It is an investigation of the past, the memory in relation to the present and the search for the wordless. I very often start from similar
from similar motifs where the actual method of carrying out the work is almost always portrayed through painting.
Member of Södra Ölands Konstnärsgille.
The village in southern Öland has become one of my most important motifs. Central to my works is often the village, an investigation of structures, angles, lines, volumes and shapes. It is an investigation of the past, the memory in relation to the present and the search for the wordless. I very often start from similar
from similar motifs where the actual method of carrying out the work is almost always portrayed through painting.
Member of Södra Ölands Konstnärsgille.